"agile top notes and ideal chest tones" – Minneapolis Star Tribune
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"While all deserve a toast for their performances,
Norah Long stands out for her balance of comic aplomb and strong singing." – St. Paul Pioneer Press, Rob Hubbard |
Norah Long really shines in the central role of Rosalinda, showing us a passionate woman
whose dignity is continually being subverted by her impulses. Long's Rosalinda is at war with herself.
She wants a fling with her former lover, Alfred, but she also wants to punish her husband, Eisenstein, for being a philanderer.
Long sang admirably, too, displaying agile top notes as well as the ideal chest tones for the Czardas.
– Michael Anthony, Minneapolis Star Tribune
whose dignity is continually being subverted by her impulses. Long's Rosalinda is at war with herself.
She wants a fling with her former lover, Alfred, but she also wants to punish her husband, Eisenstein, for being a philanderer.
Long sang admirably, too, displaying agile top notes as well as the ideal chest tones for the Czardas.
– Michael Anthony, Minneapolis Star Tribune
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"a lovely, resonant Rosalinda" – Steven LaVigne, On the Purple Circuit/Minneapolis Scene |
Die Fledermaus by Johann Strauss II
Skylark Opera, St. Paul MN Director: Randy Winkler Music Director: Steven Stucki Role: Rosalinda photo credit: Susan Hanlon |
